An epic retelling of an interesting chapter from Maratha history

Right after Farzand and Fatteshikast, Digpal Lanjekar’s initially two motion pictures in the collection of movies devoted to the bravery of Chhatrapati Shivaji Maharaj and the Maratha army, the author-director returns with a bang in the third film of the sequence – Pawankhind.

The movie, which was delayed owing to the pandemic, is based on a person of the most well-known incidents from Maratha background – the Struggle of Pavan Khind. At the outset, the makers make it clear that this is not a complete documentation of the struggle, its prelude or aftermath, but a cinematic recreation intended to showcase the bravery of the Marathas concerned in this fight. So, there are cinematic liberties taken in this retelling, but the crux of the story is maintained.

The tale about the Fight of Pavan Khind (previously regarded as Ghod Khind) and the bravery shown by Bajiprabhu Deshpande and the Bandal army of 600 against the Siddhi Masud and the soldiers of the Adilshahi Sultanate is very well identified across Maharashtra. The outcome – Chhatrapati Shivaji Maharaj’s profitable escape from Panhalgad to Vishalgad. But, does Lanjekar do well in recreating this essential chapter from Marathi record on monitor? Totally!

Pawankhind is a comprehensive cinematic working experience that is fit for the big monitor. The movie is bold in striving to check out this story in two and a 50 % several hours, but it mostly succeeds in producing the suitable establish up and atmosphere that potential customers to a excellent climax. From laying out the cause and the figures included in it, to the siege of Panhala by Siddhi Jauhar, the escape system and the precise fight, Pawankhind lays out all its cards in front you chronologically, even though inducing a dose of background, drama and even comic aid in among. The movie doesn’t miss out on providing owing credit rating to the the vast majority of the generals who helped Shivaji Maharaj realise his dream of Swarajya.

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As for the actors, it’s not an simple undertaking to deliver some of the most properly –known names from the Marathi movie and Television set marketplace jointly in a multi-starrer of this scale. But the casting department and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal each individual actor has presented his best to their roles. Even the supporting solid has some unforgettable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. A different noteworthy general performance that stands out is that of Ajinkya Nanaware as Shiva Kashid, the man who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are bound to bring tears to your eyes.

Whilst Pawankhind excels in storytelling, the technological facets, nevertheless good, could have been better. The background score overpowers dialogues in some critical scenes, and the motion choreography in some scenes fails to make the slice. Nevertheless, all mentioned and accomplished, the entire staff has done its greatest to make this a big display encounter. Possibly with a even larger spending plan, these things can be ironed out in the next films of Lanjekar’s sequence.

For now, Pawankhind is a fantastic look at, and at the cinemas only.